Editorial Board
Brett D. Hirsch (Coordinating Editor) is University Postdoctoral Research Fellow at the Centre for Medieval and Early Modern Studies, University of Western Australia. He is an Editor of the Routledge journal Shakespeare, Assistant Editor of Appositions, and is Co-Convenor (with Hugh Craig) of the Early Modern Drama in the Electronic Age research cluster, sponsored by the ARC Network for Early European Research. He has co-edited a special issue on Embodying Shakespeare for Early Modern Literary Studies and a volume on late medieval and early modern English literature and culture for the Brepols/UCLA Center for Medieval and Renaissance Studies Cursor Mundi series. He has published articles in The Ben Jonson Journal, Early Modern Literary Studies, Early Theatre and Parergon, and is a contributor to the Lost Plays Database and the forthcoming Cambridge World Shakespeare Encyclopedia.
Michael Best is Professor Emeritus of English at the University of Victoria, British Columbia, and Coordinating Editor of the Internet Shakespeare Editions. His publications include: Shakespeare on the Art of Love (2008), and two CD-ROMs on Shakespeare's Life and Times (1995) and A Shakespeare Suite (2003); editions of The Book of Secrets of Albertus Magnus (1973), Gervase Markham's The English Housewife (1985), and Shakespeare's King John (forthcoming); invited essay contributions to An Oxford Guide to Shakespeare (2003) and the Blackwell Concise Companion to Shakespeare and the Text (2007); as well as numerous articles in scholarly journals. He serves on the editorial board of Borrowers & Lenders, and on the advisory boards of Multicultural Shakespeare and the Thomson–Gale Shakespeare Collection.
Hugh Craig is Professor of English, Director of the Centre for Literary and Linguistic Computing, and Director of the Humanities Research Institute at the University of Newcastle, Australia. His publications include: monographs on Ben Jonson (1990) and Sir John Harington (1985); a co-edited collection of essays, Shakespeare, Computers and the Mystery of Authorship (2008); invited essay contributions to the Blackwell Companion to Digital Humanities (2004) and Tudor England: An Encyclopedia (2001); as well as numerous articles in scholarly journals. He serves as Co-Convenor (with Brett D. Hirsch) of the Early Modern Drama in the Electronic Age research cluster, sponsored by the ARC Network for Early European Research, and as a member of the advisory board of Digital Studies/Le Champ Numèrique.
Ian Lancashire is Professor of English at the University of Toronto. He is the Editor of Representative Poetry On-Line, Renaissance Electronic Texts, and Lexicons of Early Modern English. In addition to his editorial work, his publications include numerous book chapters and journal articles. He serves on editorial boards of Early Modern Literary Studies, the the Records of Early English Drama and the Internet Shakespeare Editions, as well as the advisory boards of Computing in the Humanities Working Papers, Digital Studies/Le Champ Numèrique, and the Society for Early English and Norse Electronic Texts.
Helen Ostovich is Professor of English at McMaster University. She is Editor of the journal Early Theatre, Editor of the Ashgate Studies in Performance and Early Modern Drama series, and a General Editor of the Revels Plays. Her publications include: critical editions of the plays of Ben Jonson for Longman Annotated Texts (1997), the Revels Plays (2001), and the Cambridge Works of Ben Jonson (forthcoming); critical editions of Richard Brome's A Jovial Crew and The Late Lancashire Witches for Richard Brome Online (2010); a co-edited anthology of literary materals, Reading Early Modern Women (2004), and a co-edited critical edition of Shakespeare's All's Well That Ends Well for the Internet Shakespeare Editions (forthcoming); as well as numerous book chapters and articles in scholarly journals.
Chris Wortham is Professor Emeritus of English and Cultural Studies and Senior Honorary Research Fellow at the University of Western Australia. Chris also holds an appointment as Professor of Literature and Theatre at the University of Notre Dame, Fremantle. He is Founding President of the Perth Medieval and Renaissance Group, and Editor Emeritus of the journal Parergon. His publications include: co-edited critical editions of Christopher Marlowe's Doctor Faustus (1985), the poems of Andrew Marvell (2000), and the anonymous medieval play Everyman (1980); as well as numerous articles in scholarly journals. He serves on the advisory board of Comparative Drama, Parergon, and Shakespeare in Southern Africa.